![]() ![]() All scripts have the “Livid_” prefix in their name, so they are easy to find and load in Live. This installer will install all Live 9 scripts for all controllers, making it easy to keep up to date and add controllers to your set. Live 9 Remote Scripts for all Livid Controllers Thanks to the community and people supporting our instruments. Granted, they are recent synths rather than legacy super-optimized devices, but I was surprised how fast this song used up CPU time.Below is a repository of applications and scripts for our controllers. Seems more CPU hungry than usual somehow? About 10 synths & 6 effects brought my i7-4790 to its knees, and I didn't expect that. I haven't figured out how to remove Renoise out of the equation once the song is entirely written down, except by painstakingly exporting and re-importing MIDI (which I have not tried yet).Ģ. It's pretty much impossible to quickly freeze the project. (Explanation how this mess works upon request if insufficiently self-explanatory!)ġ. It works very well with player devices! I made a song going crazy with them, changing scales globally to generate complex arpeggios & chords (using Scales & Chords, Kompulsion, and Mercury 4): Play that reset pattern when jumping around the song to ensure sane defaults.ĥ. Unlike Reason automation that resets things intelligently between plays, Renoise is perfectly happy to play pattern 21 with the knobs in the last known position you left them on bar 48. Start with a 4 bars reset pattern, and explicitly set parameters to what you want them to be at the start of patterns. To use a combinator button as a triggered latch rather than as a toggle, turning it on and off on the same line ensures it always fires off at least once no matter its previous state.Ĥ. It works well! Having to keep two files in sync seems annoying, but in practice it's mostly just about replacing the "Ctrl+S" habit with a "Ctrl+S Alt+Tab Ctrl+S" one.Įven if it's just a single device, put it in a combinator, expose parameters via the programmer, and make a Intrument MIDI Control preset in Renoise: that way, it's easy to remember what the effect numbers do.ģ. So, I made a song with Renoise as Rewire master and Reason doing all the heavy lifting (including the mixing).ġ. Now, I am not very familiar with trackers or renoise yet, so I hope describing my findings will spark a discussion and encourage others to share their experiences. So I figured out, why not try out Renoise as a sequencer and see what happens. When Player RE's were introduced, it opened up a ton of creative shortcuts & semi-generative music opportunities, and really highlighted just how much Reason's sequencer is an early 00's relic mostly unaware of the underlying rhythmic and harmonic structure. Reason has always been what inspires me to bang out a tune. ![]() I never made much good music with Renoise, even if the tracker workflow is intriguing. Recently, I realized that my Renoise license, bought like a decade ago, is somehow still valid, thanks to their incredibly generous licensing scheme. ![]()
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